I am sitting here, not believing that we are already halfway through November. It has been a year that no one on this planet who lived through it will ever forget. Thanksgiving is coming up, and I am quickly reminded of all and who, for which I am grateful. I will save that e-mail for another day because today I want to update you on my Live Streaming, or should I say lack thereof, as of late. But in case you are wondering, yes, I am very grateful for Live Streaming.
Being able to live stream on Facebook over this past spring and summer was a new, sometimes stressful, but invigorating learning experience. It allowed me to connect with and sing and play for some people who never get a chance to see me perform live, for whatever reason. That alone, to me, was a priceless perk for the streaming format. It was great to connect live with people I rarely get to sing to and communicate with. I was also able to make many new fans and friends from around the globe. That was a huge benefit. Another massive plus for me was that through my friends' and listeners' kind generosity, I made enough money to get me through the initial few months of being isolated and put entirely out of work by Covid. I cannot exaggerate nearly how important that was and how grateful I am to all of my friends and listeners who have helped me out. As we all know, the music industry has been severely crippled, almost destroyed. Many thousands upon thousands of people in the industry, aside from entertainers, are still out of work. Again, I feel grateful to have a platform to express myself, make some money, and reach those who care about me and my music.
While nearly all of my paying concerts with A1A, Abba Mania, and myself were canceled, postponed, or rescheduled for 2021, I did have a handful left in September and October. Those shows and several unexpected life events left me with little to no time to prepare for my weekly Facebook Live Events. You would not believe how much time goes into these shows behind the scene. Heck, if I had known that from the beginning, I might not have scheduled so many. It got to be a full-time job relatively quickly. But lucky for me, a job that I enjoyed immensely.
I have had many people get in touch with me stating how very much they miss my weekly Facebook Live events on Saturday night and wanting to know when I would resume them. Well, now that October (my favorite month) is over, I still find myself with a very full plate. Since November 2, I have been in the studio working on my next album. I will be returning home on November 23. So looking at things, the earliest I could get back to Live Streaming would be in December.
As everyone is undoubtedly aware, COVID-19 is increasing, and the music industry is still in a horrible and unpredictable state. As for my current status, I do not have a paying gig with myself, A1A, or ABBA MANIA until next June - which means no income. I am far from alone, of course. Facebook has also changed their streaming policies making it more difficult to stream, play cover tunes, and earn money. I am still looking into that, but I am also looking into other services that are more helpful to the artist. Services like Patreon and Disctopia are two that I am looking into. I am also looking into Periscope, Instagram Live, YouTube Live, and Zoom. I would love to have the opinion and thoughts of you, the listener, and the fan. I am all ears. Please let me know your views, opinions, and suggestions based on your past experience with my Facebook Live Events. I hope to be singing again for you come Christmas time.
Thank you again for being part of my dream,
Back on July 27, 2020, in the middle of our Covid summer, I released my first single in 7 years, 'Hug Inside An Envelope.' Yes, it has been seven years since my last official release. To let you know what was going on during those seven years could probably fill four self-help books. So let's just say that I have been "busy." To be completely honest, I had no plans to release anything at all. That is until I was approached by a lyric writing friend of mine in London, England. Her name is Rosalind Winton, and we met via the Internet a few years ago. She told me some time ago that she would like to work with me one day. Well, this past spring, she contacted me to inform me that she believes she finally had a project on which we could collaborate. I will not say anything else about it, for I want Rosalind to tell you how all this came about in her own words. So Ladies and Gentlemen, Mrs. Rosalind Winton.
THE MAKING OF 'HUG INSIDE AN ENVELOPE'
One morning in 2018, David, my husband told me that he had been listening to an interview with a lady who had written a letter of support to a friend who was in a bad place. The friend spread the word and the lady ended up sending hundreds of handwritten letters to people who needed a kind word.
David told me that at the end of the interview, the lady said... "It's a hug in an envelope". David told me that, because he knew I was always on the lookout for great lyrical hook lines, and this certainly had my attention.
When I thought about that line, I thought about why someone would be sending a letter, especially in this day and age. Also, there's the telephone, so I had to think of a reason why a phone call couldn't be made. I then had the idea of writing it in a way to depict that a lot of time had passed and a letter was the only way of contacting the recipient.
Once I had the concept, the lyric came to me pretty easily, but it was originally written as a love song. I had words like 'dear', 'love' etc in it. Then, at one point, I sat back and just looked at the lyric on the screen in front of me and as I read it, I realised I could tweak it slightly, so that it could be more relatable. I took out all the lovey words and altered it accordingly. It then became a lyric conducive to any relationship and any circumstance. I was happier with that, it felt better.
I then thought about who of my composer friends I should send it to and I decided to send it to Robert Benson. I've known Robert a long while and he has put great music to a few of my lyrics and I felt he would be right for this one.
Robert liked the lyric and once he had composed the music, he sent me a demo, which I absolutely loved.
I then took the song into a professional recording studio and had the music arranged and produced professionally, so now it sounded like a 'real song'. Towards the end of the session, the producer mentioned that he thought something was missing, so he asked me if I would play percussion on the song. I didn't have to be asked twice. I played the tambourine on the bridge and shaker on the last chorus. That was an amazing experience, I loved it. Now to find a vocalist.
My original idea was to find someone local to me here in the UK, that I could take into the studio and give an experience to. I put the word out and a few people contacted me, but when I sent them the song, they either couldn't connect to it, or found it difficult to sing, or said it just wasn't right for them. So I gave up on that idea and looked to my professional singer friends.
I thought about my friend Jeff who is in the US. I have known him a good few years now and it has always been an ambition of mine to work with him. I sent him the song, he loved it and agreed to record the vocal. Once Jeff had recorded the vocal, he told me he loved it so much, he would like to release it as a single. Of course, I said. "Yes".
The whole process, from when David gave me the idea, to now has been quite a while. There were gaps of many months between all the aspects of producing the song, but it was well worth the wait. From the moment David told me about it, I had a great feeling about it and that is why I never gave up on it.
I would like to thank Jeff so much for putting such a great vocal to the song, it's perfect. I hope everyone who hears it, loves it as much as we do.
ROSALIND WINTON - LYRICIST
Rosalind Winton has been writing poetry and song lyrics most of her life. She has produced and published a book POETIC WONDERS, which contains poems written by herself and five other authors that she gathered together for the project. Very recently, she wrote a song with her collaborator AJ Clarke called ONE DAY SOON, which is a song for our time and raised much needed funds for the NHS during the COVID-19 crisis. Rosalind has written for unsigned artists, musical theatre projects and original school plays. She has also won awards (Merit and Outstanding) for two of her songs, both in 2001 at different music festivals.
You can find Rosalind on Facebook at: www.facebook.com/rosalind.winton
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I want to thank everyone who attended my Facebook Live event on September 25 to honor The Partridge Family's 50th Anniversary. I especially want to thank Sharron Liddle and all of my new friends on The David Cassidy Group of Great Britain, for it was initially planned as a show that was just for them. Thus my 2:00 PM EST start time. But then the 50th Anniversary of The Partridge Family popped up, and we opened it to the world.
I have wanted to do a show like this for decades, and it delighted me to no end to execute it on such a special occasion. It was a great day of celebration in England and The United States, and there was a lot of celebration on and offline being enjoyed by so many people. Sharron Liddle did a fantastic job pulling together all that she did for a full day of Great Britain celebration in honor of The Partridge's. I also would personally like to thank Pauline Tombs, Andrea Dominianni, and Susan Samantha Cox for all of their help in promoting my show. I had a fantastic time and look forward to doing another tribute performance to David Cassidy in the future. Thanks again to everyone who tuned in!
Imagine if you will a little green frog on a log. This log is settled deep within a colorful, beautiful swamp, and the sky above is serene, bright and blue, fluffy white clouds drifting through the sky on there way to nowhere. I realize that swamps are rarely described as colorful and beautiful, but this is Hollywood folks, and anything goes. The little green frog is sitting upright on this log, and he is playing the banjo. Yes, a banjo. You don't see too many frogs playing banjos these days. Oh, and he sings too. Hey, as I said, this is Hollywood folks. The camera drifts across the swamp lazily, making its way in for a close up of the frog in question. You hear two simple chords plucked accurately and smoothly come out of the distance - and you are hooked. Hollywood history is made, and the song that you will hear over the next three and a half minutes of your life, give or take a few seconds, will be in your heart forever.
Of course, the song in question is "Rainbow Connection," and our little green friend is the one and only Kermit The Frog from Muppets's fame. The Muppets were the brainchild of the late and brilliant Jim Henson. There has been nothing like The Muppets before or since, and they are an extraordinary part of American entertainment history. The magic of the Muppets is so great that they grow to feel like real people almost from the first time you see them. I have adored them since I was a small boy, and I still do.
So with a little history out of the way, let us go back to the frog. A frog on a log with a banjo and a peculiar singing voice is not much more than that unless he has a song. Enter the iconic songwriter Paul Williams and musical composer Kenny Ascher.
Paul Williams was a massive star throughout the 1970s. His songwriting genius paved the way for him to be almost everywhere throughout that decade and to do just about whatever he wanted to do. He achieved fame quickly at the start of the decade by penning some of the most beautiful songs ever written. "We've Only Just Begun," I Won't Last A Day Without You," "Rainy Days and Mondays," as sung by The Carpenters, and two early 70's hits by Three Dog Night, "An Old Fashioned Love Song," and "Family of Man," secured his place in history as a brilliant and very gifted songwriter. He wrote many other successful and popular songs that still stand the test of time. "Evergreen," "With One More Look At You," "You and Me Against The World, "Where Do I Go From Here, "Ordinary Fool," and, of course, "Rainbow Connection."
As we all know, there is more than one color in a rainbow, and sometimes it takes two. To add the necessary color to his lyrics, Paul Williams enlisted musical composer and arranger Mr. Kenny Ascher. Mr. Ascher's credits and accomplishments are a lot like Pauls's. There are just way too many to mention here. But to name a few, Kenny has worked with John Lennon, Meat Loaf, Barbara Streisand, Todd Rundgren, and of course, Kermit The Frog and the Muppets. The beautiful melody and simplistic chord changes with which Kenny graced Paul's sentimental lyrics gave birth to a song that will forever be in the hearts of those who take the time to listen.
"Rainbow Connection" was extremely successful and has gone on to become an American Standard. The great Johnny Mathis recorded the song on his album, "Isn't It Romantic - The Standards Album," which came out in 2005. Johnny is only one of the dozens of other successful artists who have recorded their version since it was initially released in 1979. Willie Nelson, The Carpenters, Kenny Loggins, Judy Collins, Sarah McLachlan, Jim Brickman, and Jason Mraz are a small number of legendary musicians who have given us their own version of "Rainbow Connection." On April 25, 2020, Kermit released a new performance of the song (recorded by Matt Vogel) on social media to lift spirits during the COVID-19 pandemic.
"Allmusic," an online music database, described "Rainbow Connection" "as an "unlikely radio hit ... which Kermit the Frog sings with all the dreamy wistfulness of a short, green Judy Garland." They went on to add that "'Rainbow Connection' serves the same purpose in "The Muppet Movie" that "Over The Rainbow" served in "The Wizard of Oz," with nearly equal effectiveness: an opening establishment of the characters' driving urge for something more in life." Others have similarly referred to "Rainbow Connection" as the film's "I Want" song."
Rainbow Connection has been very close to my heart since I first heard it many years ago back in May of 1979. Oddly enough, I have only performed it a handful of times throughout my career. I have a strange habit of keeping the songs that touch me the most kind of at bay. Being an entertainer all my life, I have discovered first hand that if you play some songs countless times, they can fade in importance in your heart and become just another song you sing at work. Rainbow Connection is a song that I would never let that happen too, so I have rarely performed it.
In the late spring of 2020, I started doing Facebook Live streaming performances to earn some money and keep in touch with my audience. I had several ongoing requests for Rainbow Connection and quickly discovered that I would not be able to skirt the issue. So I learned it and performed it one time. It was challenging to get through emotionally, but I was glad that I did. As Paul Williams's 80th birthday started approaching, I decided to record my version in tribute to a man who gave the world some of it's most beautiful songs. I hope that you enjoy my heartfelt rendition of this timeless classic.
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Rainbow Connection on YouTube
Time keeps on slippin'...slippin'...slippin'...into the future.
And before we know it the future has come and gone and it is your Birthday again. I remember vividly when I was a young boy, all of my elders telling me that as you get older, time passes more quickly, and before you know it, decades pass like months. I never really believed them and never understood how time could seem to pass any different for anyone else than it could for me, no matter how old they were. I also never understood or believed them when they told me that no matter how old you are, you will, for the most part, always feel the same inside. Your body may be 70, but inside some days, your memories make you 35 again. Well, like most things we never realized when we were young and all of the things our elders told us that we didn't believe, well, they were right. Getting older is a strange phenomenon, and no, just like you have also heard many say, getting older is not for sissy's. I say that not as an elderly person but someone who is without question on the backside of my journey.
Today is my Birthday, and I am very thankful to be here and have all that I have in my life. I am remarkably blessed in many ways, and I count my blessings every day. It has been an extremely challenging year for me in many ways, but on the other hand, some remarkable things have also happened that make me count my lucky stars.
To celebrate my Birthday today, I am releasing my brand new website. It is still JeffPike.com, but the feel and look are entirely different and updated. I want to thank my good friend and colleague, Joseph Patrick Moore, for doing all the design and tech work to bring my new website to life. I am very proud of it. I hope you will take some time to check it out and drop me a line and let me know what you think, and though work is still very slim, I will be updating my concert calendar regularly. So please come back often.
As another trip around the sun comes to an end, again, I want to thank everyone who has been a part of my life. And for all of you who have enjoyed my music, thank you for giving me a colorful life and career that has lasted much longer than I ever imagined it would, God willing there will be much more to come.
Count your blessings and remember your dreams.
July 13, 2020
I was speaking to a friend of mine the other day about how so many people tend to mourn musicians, artists, actors, actresses (and I am sure with any vocation the same connection can be made, Military, business, etc.) whom they have never met or had any interaction with. This topic has always intrigued me and today I want to share my thoughts with you on this often debated emotional mystery.
I believe that through music and the arts it is possible for humans to discover deep and inarticulate awareness about their personality, character, values, dreams, wishes, regrets, appreciation, love, addictions, fears, strengths, admiration, etc. The list goes on and on. Through music and art you grow and as you grow through life, music is right there beside you. Well, for most people. So over the course of time many songs and artists can become part of our personal history. They have the possibility of somewhat becoming a permanent part of our soul and DNA. A constant if you will.
Music takes us places only we have privy to. Music gently takes up permanent residence in parts of our soul, which no one else can gain access to, it makes our hearts feel deep feelings that only we know and can articulate to ourselves. Music can be a safe haven, a close family member, a friend, a lover, a fantasy, a drinking buddy or a lifetime full of memories. Music can be whatever you want it to be. It is the universe’s largest wormhole – a faithful and reliable time machine. The artist and/or songwriter in question has all of this power in your life so you feel a ‘natural’ connection to them- and when you lose one it can hurt, some more than others and sometimes very badly. Recently and over the past two years we continue to lose what seems like an unprecedented number of inspirational and legendary musicians and artists. I realize people die every day who are not in the media and it is just time moving on, yet somehow it feels different. I think we take for granted the strangers who have found their way into our soul and spirit. We feel they will always be here for us to lean on, a constant comfort in our life that will never change and when we lose one, regardless of their age, sometimes we may feel like we have lost a dear friend or even a soul mate.
I have found that as I get older, the veil of deeply felt emotion through music gets consistently thinner for me. I find it increasingly difficult to protect my heart from the emotional rapture, but more often than not the deep pain of where the time machine of music takes me when it all too often hijacks my heart.
It is a beautiful and crisp December morning here in Atlanta. It is the kind of morning that makes you feel good to be alive when you walk outside, look into the sky, breathe the chilly air and upon exhale watch your breath fade quickly out of sight. One second it is there and the next it is gone. I was outside this morning meditating on those thoughts, pondering my own problems and filling my heart with gratitude for the day when I heard that I had lost an old friend during the night. My heart sank and my eyes filled with tears when I heard of the passing of Stan ‘The Man’ Bowen. I have known Stan for well over 20 years or more, ever since the beginning and initial success of A1A. Looking back there was rarely a performance, convention, phlocking or get together we played where Stan wasn’t onstage with us sometime during the evening. From the very first time I met Stan and we got to know each other I realized what a kind, gentle, caring and authentic soul he was. We shared many good times, laughs, drinks and music over the years. I will miss him. Stan had a rare uniqueness about him that I don’t see much of these days. He was a friend to all with a big heart, big spirit and a contagious smile. As sad as it is to lose Stan during the Christmas season I feel in a way it is appropriate. It is a time to celebrate life, birth and new beginnings. Stan has been reborn and is celebrating the season much better than we are able to at the moment. May this thought bring his friends and family some sort of peace and comfort in the days to come.
I was saddened to hear of the sudden passing of Ric Ocasek. I handle these kinds of passings a lot better than I used to, but somehow this one got under my skin more than I thought it would.
I remember very well when the !rst album by The Cars came out. I was 16 years old. It was highly successful, and of course, I bought it immediately. The album had a fresh and clean sound that was unlike a lot of what you heard on the radio. Being a huge Queen fan, I was also excited that Roy Thomas Baker had produced it.
I liked The Cars a lot, but when their second album “Candy-O” came out in 1979 I was in love with them and totally hooked. I wore that 8-track out. I still have memories of my first summer out of high school, laying by the pool with my girlfriend and listening to it over and over. And it was a staple in my car stereo from 8-Track to cassette to CD. I remained a big fan and followed them until they disbanded. Last year I purchased all of the reissues on colored vinyl, and The Cars got a LOT of new spins on my turntable. It felt good to give their music a lot of attention again.
Ric reminded me of Joey Ramone. If you had met them both before their success, and basing them only on the physical appearance you would have thought they would have been the last people in the world to become rock stars. But they were both brilliant, quirky songwriters who gave us some of the timeless rock and roll and pop music of their generation. Damn, where does the time go? To quote the late great Eddie Money, “I wanna go back...and do it all over.”
Starting at a very early age like most young boys, I forever dreamed about being like and working with my heroes when I grew up. Never really thinking, of course, it could ever really happen. Through my life as a musician, I have been fortunate enough to meet many of my heroes. I have also had the chance to work with a handful of them.
I placed the musical artistry, versatility, and brilliance of Gino Vannelli on an extraordinarily high pedestal not long after first hearing his music in 1975. For the serious musicians, scholars and dedicated fans who have consistently followed his career from 1973 until now no further explanation is needed. If you are only acquainted with Gino’s top 10 radio hits, then you owe it to yourself to catch up on all you have missed. It will be a road well worth traveling.
Gino Vannelli tops the list of any musician living today who I ever had dreams, or fantasies if you will, of working with. When I had the chance to start studying with him several years back, it was like the sky had opened for me, and I was profoundly grateful and honored. So imagine my delight when he recently asked me to be a background vocalist in his new video.
Gino’s new video is a Spanish version of his beautiful song, “Road To Redemption” from his new CD, “Wilderness Road.” To help him accurately translate and articulate his vocal performance, Gino brought in the famous and widely respected South American songwriter, pianist and recording artist, Alejandro Learner. I was not familiar with Alejandro or his distinguished career at the start, but after the video shoot and dinner afterward, I found out how doubly blessed I was. He was a very genuine, friendly, and kind man. He even brought us all delicious South American chocolates!
To round out the rest of the ensemble, Gino brought in local Portland musicians, vocalist Lauren Steele and stand up bassist Cary Miga. I had met Cary previously when Gino was auditioning musicians to perform on the album which he will be producing and recording for me in 2020. Cary is a great guy, a lot of fun and a fantastic bass player. Lauren Steele is a beautiful, talented young vocalist, and it was a joy to sing with her.
We shot the entire video in one day on August 13, 2019. That is great for the budget, but it all seemed to go by too quickly and was over before we knew it. Gino and Alejandro were in a great mood, and there were a lot of laughs, which I think comes through warmly in the video. Afterward, we had dinner at Tad’s Chicken N’ Dumplins in Troutdale where we enjoyed more laughs, conversation, and great food.
When dinner was over, we all said our goodbyes and I got into my black rent a car which just happened to be parked next to Gino’s black car. If only they had been in the shade, it would have made for the perfect evening.
I encourage you to take the time to watch both versions of “Road To Redemption.” For your convenience, links are posted directly below. Last but not least please visit www.ginov.com and www.amazon.com and complete your Gino Vannelli record/CD/DVD collection.
Still walking the night...
Yep, it has been a long time since I let you know “what’s new” with me. I hate to apologize – so I won’t. Instead, I will tell you that like all of the rest of you I have been as busy as a three- legged beaver.
So, the last time you heard from me here was back in March when I had just finished playing the Music On The Bay music festival in Tampa, Florida with A1A. When that incredible gig was over, I caught the next flight out to Idaho and hopped back into the last leg of the 2019 Abba Mania tour. Which once again finished up with two shows in Hollywood on March 17.
Like every year the Abba Mania tour was a most enjoyable experience. I am very grateful to get the opportunity to tour across the country once a year in grand style with the most amazing musicians, entertainers and production people I know. To have the chance to perform in the most beautiful theaters and performing arts centers in the country and see a lot of my friends along the way who are spread out over the country is a blessing.
The only downside I regularly experience while on this annual tour is that it takes a significant toll on my body. While I enjoy traveling on a big tour bus, I do not sleep very well at all in the beds we have. I toss and turn with insomnia. Hips hurt, feet hurt — backaches, etc. etc. Of course, right along with all that is the fact that it is so challenging to eat right and stay fit on the road. Every year I have come home weighing more than I did when I left, and it always takes me a few weeks to remotely start feeling myself again. So at the end of last years tour in 2018, I finally decided that enough was enough. I decided that I could not let this continue and that it was damn time I got in shape and learned to eat healthy again once and for all.
I knew full well that I could not do this alone, so I set out to find a serious personal fitness and nutrition trainer so that I would be held accountable. I enlisted my very close long-time friend, business partner, and manager, Kathy Mullen to assist me in this serious life quest. We were lucky enough to be referred to Tiffany Bryson, who runs Faithfully Fit Fitness Center in Dawsonville, Georgia. She turned out to be just what we needed, and I started my new physical life trek in August of 2018.
I committed myself to change the way I ate and to exercise daily. My goal was to lose 40 pounds so that by the time I went back out to Oregon this summer to do some work with Gino Vannelli I would be in much better shape. Looking and feeling a lot healthier. I didn’t quite make 40 pounds, but I did lose 33 pounds, going from 222 to 189 in 11 months. To help me stay accountable and committed, I use a Fit Bit Icon Watch, a Weight Guru Scale, and a Spark Hydration Bottle. These indispensable tools all have great I-Phone apps that sync together with the My Fitness Pal App. This makes all the information I need to stay on track accessible in my hand at any time. I have to say that it has been a whole lot harder than I thought it was going to be, but I have done my best to stick to regular and consistent walking, cardio and strength training program on and off the road. A huge thanks to Tiffany and Kathy for consistently kicking my butt and helping me stay on track. Thanks to all of the hard work I was able to impress Gino, showing him I mean business, and, for the first time in my life, I lost weight while on the road.
I will admit that I was quite scared to go back out on the road with Abba Mania this year. I was so afraid that I would slip and all of the work I have done would be wiped away by bad eating habits and little to no exercise. But the show must go on. So Tiffany gave me some severe cardio exercises I could do in my dressing room, and we arranged Facetime workouts whenever there was an opportunity. Also, whenever we stayed in a hotel, I parked my butt in the gym as much as I could. Eating well was still a big challenge, but when it was all said and done, I came back from the tour in March eight pounds lighter than when I had begun. All of the exercises, lifting and walking I have been doing significantly helped this summer performing with A1A. It also helped my vocal performance, posture, overall health, and self-confidence. If you are up for the commitment, I recommend this for everyone.
The band has had a good summer with a lot of fun shows. Every performance this year has had its own set of challenges and great memories, especially my Birthday weekend, which was spent with The Atlanta Parrot Head Club at Margaritaville at Lake Lanier Islands celebrating the clubs 30th Anniversary. In spite of our show being rained out and losing about $2,500 worth of equipment in the storm, I still had a great time. Seeing so many old friends gathered together in one place for three days brought back floods of memories of so many good times over the years.
It was also very nice to return to The Marietta Square this year for their July 4 Independence Day Celebration. A1A and Marietta have an extensive history together that goes back 25 years. Our fan base there has always been significant, and I have made many friends in and around the Marietta area since I started playing there way back in 1985. Although I have never lived there, it does not feel strange at all to feel quite at home when I am performing, relaxing at Hemingway’s, or just visiting the Marietta Square. It had been a few years since A1A had performed on the square and it felt lovely being able to play on such a great American Holiday.
This past weekend on August 30 we returned for the third year in a row to play The Rock N’ Rails Music Festival in Griffth, Indiana. The Rock N’ Rails music festival is a massive 4-day event in Griffth showcasing the very best Tribute Bands in the nation. I have to tell you that there are some SERIOUSLY good tribute bands out there. Some are better or just as good as the acts they are paying tribute too. While attending The Rock N’ Rails music festival, we have seen tribute acts to Elvis, Chicago, Led Zeppelin, Prince, Heart, Pink Floyd, Johnny Cash, and Simon and Garfunkle. All of these acts will leave you spellbound and speechless. They are THAT good. The Rock N’ Rails Music Festival is a very cool festival to be a part of, and we are very grateful to have been included in the lineup for the past three years. I have my fingers crossed that we can return next year.
On Sunday, September 1, we had the distinct opportunity to play the legendary Surf Ballroom in Clear Lake, Iowa. We were brought in by Bart Mason and The Isle of Iowa Parrot Head Club to headline their annual Labor Day Weekend Show. I have heard about The Surf Ballroom all of my life but have never given it a lot of thought since we do not play that part of the country very often. Although several years back, A1A did fly into the same airport where Buddy Holly’s plane crashed. We were in a tiny plane, and the weather was not that great, so it was a little surreal. Even though we were that close to The Surf Ballroom that day, we did not have a chance to visit. So this past Labor Day weekend was the first time that any of us have visited this historical and legendary rock and roll landmark. I have seen a lot of rooms like this across the country when I am on tour with Abba Mania. But the history of the dressing room and the venue hangs in the air. I knew that performing here was going to be cool. However, I was not prepared for the intense emotion and aura of rock and roll history I experienced while in this building and on this stage. The vast number of legendary and iconic performers who have gone before us at The Surf Ballroom since it reopened in its current location in 1948 is mind-blowing. The entire band felt this way. This extraordinary feeling, along with a full house and a very energetic audience made this a night we will always remember.
This coming Friday, September 6, we return to play our annual concert at Thrasher Park in Norcross, Georgia. I have lost count on exactly how many years in a row we have been playing this event. I know that it is well over 15 years. It is probably our most anticipated shows of the year and possibly our most well attended. Norcross has a stupendous summer concert series, and they bring us home to close it out every year. It is generally our last huge show of the season which makes it all the more memorable. Looking out over the crowd every year, I have so many memories of faces gone by that I can’t even begin to count them all. This park has special memories for which also date back before A1A even existed. One that stands out is when I used to bring my daughter to this park to swing and play in the playground when she was just a petite little girl. She even had her 3rd Birthday party here. So yea, lots of good times and memories here at Thrasher Park. To be closing out this season with this lineup of A1A along with the phenomenal Rhythm Jets is an excellent feeling and I am very grateful.
We have a couple of more A1A, and Abba Mania shows left in 2019, and I have some other solo shows too. If you get a chance to make one, I hope you will come up and say hello. If not, I have some other very cool stuff to write about which I did not get to in this blog, so stay tuned.
"Ramblings From Jeff" - is a dedicated personal blog page within JeffPike.com written and posted by Jeff Pike.